Posts Tagged ‘technology’

Educating Artists for the Future: Learning at the Intersections of Art, Science, Technology, and Culture

Thursday, January 3rd, 2008

Edited by Mel Alexenberg

Educating Artists for the Future

In Educating Artists for the Future, some of the world’s most innovative thinkers in higher education in art and design offer fresh directions for educating artists for a rapidly evolving post-digital future. Their creative redefinition of art at the interdisciplinary interface where scientific enquiry and new technologies shape aesthetic and cultural values offers groundbreaking guidelines for art education in an era of emerging new media. This is the first book concerned with educating artists for the post-digital age, propelling artists into unknown territory.

A culturally diverse range of art educators focus on teaching their students to create artworks that explore the complex balance between cultural pride and global awareness. They demonstrate how the dynamic interplay between digital, biological, and cultural systems calls for alternative pedagogical strategies that encourage student-centered, self-regulated, participatory, interactive, and immersive learning. Educating Artists for the Future charts the diaphanous boundaries between art, science, technology, and culture that are reshaping art education.

Culture and Technology: Andrew Murphie and John Potts

Wednesday, April 30th, 2003

Culture and Technology begins with several useful and clear definitions of its key themes—technology and technique, culture and the intersection between these.

http://www.realtimearts.net/article/issue54/7044

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Electronic Arts in Australia

Thursday, December 3rd, 1992

 

Contents

 

I offer a very critical account of technology and of technology 's impact on the world. I'm not the only one to do this – everybody speaks of technology in this way. But now having reconsidered technology … I'm beginning to formulate another hypothesis … In other words, there's a difference of vision. Let's say that the rather critical or pejorative vision of technology represents a first position.Now, from a second position, I'm more interested in seeing technology as an instrument of magic … Up to now I think that technology has been analysed in too realistic a way … it has been typecast as a medium of alienation and depersonalisation. That's what we've done, and that's what we're continuing to do in analyses of virtual reality – it's possible to continue forever in this sort of direction.    

But I sense now that a sort of reversal of focus is taking place … I'll always continue to offer a radically critical analysis of media and technology – one's obliged to do this. But it's also necessary to identify another sort of analysis – a more subtle form of analysis than that one.

– Jean Baudrillard (Paris, 4 June, 1993)

Contents

INTRODUCTION: Contemplating Electronic Arts

PETER ANDERSON – Tim Gruchy: Electronic Media Art, Popular Culture and the Experimental Avant-Garde

ARF ARF Interviewed by Nicholas Zurbrugg

ROS BANDT Technology in Australian Sound Installations: Three Recent Approaches

WARREN BURT Installation at Experimenta: Fighting the “So-What” Factor in Electronic Art

WARREN BURT Thoughts on Physicality and Interaction in Current Electronic Music and Art

WARREN BURT Collaborating with Amanda Stewart- Interviewed by Nicholas Zurbrugg

PETER CALLAS Interviewed by Nicholas Zurbrugg

SUSAN CHARLTON – Six Degrees of Freedom: Apres Orlan

HENRI CHOPIN – Concerning Chris Mann

JOHN CONOMOS – Rethinking Australian Video in the Nineties

GRAHAM COULTER SM TH – Exploring the Technological Other: Robyn Stacey and Rosemary Laing

DIRK DE BRUYN Tex

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t – Texture – Gesture

LINDA DEMENT – Interviewed by Glenda Nalder

LINDA DEMENT The Tales of Typhoid Mary Strip #4

LYN GALLACHER Of Course: A Grammatical Tech Check

ERIC GIDNEY & TONI ROBERTSON Computer Communications for Visual Designers

JOHN GILLIES Interviewed by Nicholas Zurbrugg

JAMES HARLEY & SHIRALEE SAUL A.I.P.: An Installation Publication

LEIGH HOBBA 'Between the glaze and the surface' – Five Uneasy Fragments

BETH JACKSON – Self-Inscription in the Work of Doppio Teatro, Tracey Moffatt and Linda Dement: An Interpretation of Feminist Use of Technology according to Deleuze's Writings on Masochism

ANNE KIRKER – Bashir Baraki and Pat Hoffie: Extending the Vernacular of Prints

FELONIUS KRANK The Snuff-Jazz Conspiracy

BRIAN LANGER Video Art and the Australian International Video Festival

BRIAN LANGER – Chronology of the Australian International Video Festival

ANNE MARSH Bad Futures: Performing the Obsolete Body

ADRIAN

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MARTIN Hold Back the Dawn: Notes on the Position of Experimental Film in Australia 1993

ANDREW MCLENNAN A Brief Topography of Australian Sound Art and Experimental Broadcasting

CATHIE PAYNE Visible Spaces, Electronic Records: John Conomos and Tracey Moffatt

SIMON PENNY Working in Electronic Media

TONI ROSS – Portrait of the Artist as Photocopier: Jane Richens

SAM SCHOENBAUM – The Electronic Paws of Jill Scott

JILL SCOTT Paradise Tossed

BILL SEAMAN The Emergence of New Electronic Forms in Australian Art – Rodney Berry. John Colette, Linda Dement, Phillip George, Joyce Hinterding, Jon McCormack, Stelarc, VNS Matrix

ZOE SOFIA Technoscientific Poeisis: Joan Brassil, Joyce Hinterding, Sarah Waterson

STELARC – Interviewed by Martin Thomas: “Just Beaut to Have Three Hands”

URSZULA SZULAKOWSKA – Rose Farrell and George Parkin: Art History and “Primitivism” in Contemporary Australian Performance Photography

DAVID TAFLER – Does the Outback Represent the Centre? Tracing Electronic Art Tracks across Australia

VNS MATRIX AND VIRGINIA BARRATT – Interviewed by Bernadette Flynn

LINDA WALLACE 2000 Thunderstorms: Joyce Hinterding

JOHN WALLER – Interviewed by Nicholas Zurbrugg

LARRY WENDT Sentient Percussion: Ernie Althoff's Music Machines

ADAM WOLTER “So you want to be a computer artist”?

 

 

http://wwwmcc.murdoch.edu.au/ReadingRoom/8.1/8.1.html

Art and Technology Conference 1985

Friday, August 16th, 1985

The following documents are selected proceedings from the above mentioned conference.

Held in Goolwa, South Australia, August 16,17 and 18, 1985.


National Conference 1985: Program

National Art and Technology Conference 1985: Comments

National Art and Technology Conference 1985: Workshop

Advisory Committee on Art and Technology Report

Thursday, April 1st, 1982

The report of this committee was submitted to the Australia Council in April 1984.

The report analyses the effect on the arts of developments in technology.

Download ozcoreport.pdf