July 3rd, 2009
In the 1960’s and 70’s, early in my art career, I was an ardent proponent of critical theory and art-as-research. Back then they were pretty thin on the ground. Some of my contemporaries were amongst the first artists to be awarded doctorates for their work. Now, in the twilight of my teaching years I find myself more and more concerned about the preponderance of these aspects of art education. Or, to be more precise, concerned that theory and research – scholarly approaches to the arts – have usurped the teaching of art as an intuitive, studio-based and non-verbal activity. By doing so they have disenfranchised many gifted but semi-literate students who in the past were able to participate in the tertiary education process and attain significant qualifications and reputations in the arts. In this talk I hope to address the historical reasons that have led to this undesirable state of affairs and also suggest possible ways of redressing a
more balanced curriculum. In particular I would like to focus on the role of the oxymoronically titled ‘new media’ (that are now some 70 years old!) as one of the major causes of this undesirable situation and how they might also be one of its possible solutions.
Paul Brown, Brisbane, June 2009
Tags: critical, new media, theory
Posted in MASS symposium abstracts | No Comments »
April 27th, 2009
AUSTRALIAN MEDIA ARTISTS HAVE A STRONG REPUTATION AS BEING AMONGST THE MOST ACTIVE
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, CREATIVE AND INNOVATIVE IN THE WORLD. THESE ARTISTS AND THE INFRASTRUCTURES THAT SUPPORT THEM HAVE CREATED A STRONG COMMUNITY OF PRACTICE THAT HAS INFLUENCED BOTH ART MAKING AND ART INSTITUTIONS HERE AND INTERNATIONALLY. LOCATING THE EXACT TIME AND PLACE WHEN THIS BEGAN IS ALMOST IMPOSSIBLE. HOWEVER, IT IS CLEAR THAT SINCE
THE EARLY 1990s, THE DIGITAL TURN HERALDED BY
THE EMERGENCE OF THE PERSONAL COMPUTER AND THE INTERNET HAS LED TO AN EXPLOSION OF DIVERSITY IN ART PRACTICES. THESE PRACTICES HAVE NOT ONLY CREATED A BREADTH AND DEPTH OF MEDIA ART BUT ALONG THE WAY HAVE TRANSFORMED MANY MORE TRADITIONAL ARTISTIC FORMS FROM DANCE TO PAINTING TO SCULPTURE.
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Tags: Australian, digital, media
Posted in Media Art Scoping topics | No Comments »
April 23rd, 2009
To coincide with
the launch of NOMAD (National Organization of Media Arts Database), Real Time Arts have drawn together
buy cialis a digest of RealTime articles addressing education in the media arts.
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w.realtimearts.net/feature_contents/Media_Arts_Education_Digest”>http://www.realtimearts.net/feature_contents/Media_Arts_Education_Digest
Tags: NOMAD, Realtime
Posted in Mass archive | No Comments »
April 11th, 2009
New Media Department, University of Maine
Promotion and Tenure Guidelines Addendum: Rationale for Redefined Criteria
New Criteria for New Media
Version 2.2, January 2007
Authors: Joline Blais, Jon Ippolito, and Owen Smith in collaboration with Steve Evans and Nate Stormer.
ABSTRACT: An argument for redefining promotion and tenure criteria for faculty in new media departments of
today’s universities.
Introduction
Recognition and achievement in the field of new media must be measured by standards as high as but different from those in established artistic or scientific disciplines. As the reports from the American Council of Learned Societies[1], the Modern Language Association[2], and the
University of Maine[3] recommend, promotion and tenure guidelines must be revised to encourage the creative and innovative use of technology
if universities are to remain competitive in the 21st century.
http://newmedia.umaine.edu/interarchive/new_criteria_for_new_media.html
Tags: new media, promotion
Posted in Discussion topics | No Comments »
April 6th, 2009
Collaborative Commons is a 100% free web service that supports artists with the creative development of their projects. It is designed specifically to support people wanting
to engage
in creative, interpretative and critical art
practices.
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Tags: collaborative, Commons, web
Posted in Media Art Scoping topics | No Comments »
April 3rd, 2009
Origins
The Open Source Art School originated
from a suggestion by the reader anddavidh during a discussion on viagra sale
t.com/”>the art life blog about the problems of art education. the reader then set up the open source art school blog which has slowly transformed itself into
this website which was set up by
Ian Milliss.
http://www.opensourceartschool.com/
March 19th, 2009
Buffalo Heads
Media Study, Media Practice, Media Pioneers, 1973-1990
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5″>Woody Vasulka and Peter Weibel
Art by James Blue, Tony Conrad, Hollis Frampton, Gerald O’Grady, Paul Sharits, Steina, Woody Vasulka and Peter Weibel
Twentieth-century art history is not just a history of individuals, but of collectives, groups. Universities and colleges have had much to do with this through their support of artistic communities and creative interactions. In the 1920s and 1930s, the Bauhaus was known for this. In the 1940s, Black Mountain College became a leader in community-based visual art practice and education. And in the 1970s and 1980s, the Department of Media Study at the State
University of New York at Buffalo was the place to be. It was there, in 1973, well before any other university had a program explicitly devoted to media art, that Gerald O’Grady founded a media study program that is now legendary. Artists—including avant-garde filmmakers Hollis Frampton, Tony Conrad, and Paul Sharits, documentary maker James Blue, video artists Woody Vasulka and Steina, and Viennese action artist
Peter Weibel—investigated, taught, and made media art in all forms, and founded
the first Digital Arts Laboratory. These Buffalo faculty members were not just practicing artists, but also theorists who wrote and spoke on issues raised by their work. They set the terms for the development of media art and paved the way for the triumph of video installation art in the 1990s.
The images and texts in Buffalo Heads bear witness to the groundbreaking events at the Buffalo Center for Media Study. The book presents not just a tribute to a famous media department finally receiving its due; it is a rich inventory of primary texts (many never before published), works that will improve our understanding of media, amplify our cultural memory, and offer a perspective on contemporary issues.
March 9th, 2009
Roy Ascott
4 April – 24 May 2009
The first UK retrospective exhibition of the pioneering
cybernetic artist Roy Ascott, curated in collaboration with
i-DAT (Institute for Digital Art and Technology, University of Plymouth).
Long before email and the internet, Roy Ascott started using online computer networks as an art medium and coined the term telematic art. Since the 1960s he has been a pioneer of art, which brought together the science of cybernetics with
elements of Dada, Surrealism, Fluxus and Pop Art. Parallel to his artwork, Roy Ascott is a highly acclaimed teacher and theorist of art pedagogy.
http://www.plymouthartscentre.org/art/future.html
Tags: Ascott, cybernetics, internet, pedagogy
Posted in Media Art Scoping topics | No Comments »
February 26th, 2009
The ACM SIGGRAPH Education Index strives to be a comprehensive online interactive database of academic programs that offer computer graphics, digital arts, interactive media and games curricula.
Through a research effort by the ACM SIGGRAPH Educatio
n Committee, over 400 college programs have been identified and entered into the database to form its foundation. But there are many hundreds more that need to be included, and we’re relying on members of the global education community to
make this happen. That probably means
you
http://education.siggraph.org/resources/directory/
Tags: curricula, database, education
Posted in Media Art Scoping topics | No Comments »
February 8th, 2009
New publication
British Computer Art 1960-1980
Edited by Paul Brown, generic cialisatalog/author/default.asp?aid=35684″>Charlie Gere, Nicholas Lambert and Catherine Mason
Technological optimism, even utopianism, was widespread at midcentury; in Britain, Harold Wilson in 1963 promised a new nation “forged from the white heat of the technological revolution.” In this heady atmosphere, pioneering artists transformed the cold logic of computing into a new medium for their art and played a central role in connecting technology and culture. White Heat Cold Logic tells the story of these early British digital and computer artists—and fills in a missing chapter in contemporary art history.
Read the rest of this entry »
Tags: computing, culture, cybernetics, interactivity, interfaces
Posted in Media Art Scoping topics | No Comments »